WebHeader_Grove.png
Play Live Radio
Next Up:
0:00
0:00
Available On Air Stations
Informed. Empowered. Sustained by you. Support NHPR this election season and become a sustaining member today.

Heifetz and Kreisler: Setting Standards for the Violin

Jascha Heifetz and Fritz Kreisler were both born on Feb. 2 — Kreisler in 1875 and Heifetz in 1901. But the two men share more than just a birthday. Music commentator Miles Hoffman joins Renee Montagne to discuss the two famous fiddlers and how they each set new standards for the art of playing the violin.

Hoffman says that Kreisler's trademark was sweetness, warmth and humanity. Meanwhile, Heifetz, through his bowing technique and superhuman speed, achieved a level of virtuosity that is still unmatched. When Kreisler first heard the astounding young Heifetz in 1912, he reportedly said, "We can all just break our fiddles over our knees."

Kreisler became one of the most beloved musicians of his generation, known for his sense of humor. He passed off some of his compositions as the work of faux-18th-century composers and waited many years before revealing that they were actually his own. Hoffman says today nearly every classical violinist plays a few of Kreisler's whimsical pieces.

Heifetz left behind a legacy of recordings that are revered for their tonal beauty and incomparable musicianship. Hoffman says that when he was a youngster, he fell asleep most nights listening to the magical sounds of Heifetz, especially his recording of Mendelssohn's Violin Concerto. "If it weren't for Heifetz, and that Mendelssohn record," Hoffman admits, "I probably never would have become a musician myself."

Miles Hoffman is a violist and the Artistic Director of the American Chamber Players.

Copyright 2022 NPR. To see more, visit https://www.npr.org.

Tags
Morning Edition music commentator Miles Hoffman is the author of The NPR Classical Music Companion, now in its tenth printing from the Houghton Mifflin Company. Before joining Morning Edition in 2002, Hoffman entertained and enlightened the nationwide audience of NPR's Performance Today every week for 13 years with his musical commentary, "Coming to Terms," a listener-friendly tour through the many foreign words and technical terms peculiar to the world of classical music.

You make NHPR possible.

NHPR is nonprofit and independent. We rely on readers like you to support the local, national, and international coverage on this website. Your support makes this news available to everyone.

Give today. A monthly donation of $5 makes a real difference.