The earliest serenades were usually sung at night to express love and devotion. This tradition continued through the Baroque and Classical periods, but really reached its pinnacle with the sophisticated multi-movement works of the Romantic era performed for larger audiences. In Brahms’ Serenade in D, he channels Mozart, Haydn and Schubert, but never sets aside his own Romantic sensibilities. This expansive, jubilant, song-like, somber, stately and galloping piece is contrasted on the program by Carl Nielsen’s brief and humorous Serenata in vano.

Franz Schubert/Abrahamson: Four Moments Musicaux for winds and strings
Carl Nielsen: Serenata in vano for clarinet. bassoon, horn, ‘cello and double bass
Johannes Brahms/Nex: Serenade No. 1 in D Major, Op. 11

We are grateful to Sponsors of this Performance Weekend:
Aria Level - Kate and Tim Vaughan
Tempo Leve - Omni Mount Washington Resort
Melody Level - Badger Peabody Smith Realty