Story Archives of 'Painting'

Warhol's Political Touch

By Virginia Prescott on Thursday, October 2, 2008.

The iconic red, white and blue posters of Barack Obama with the words HOPE, CHANGE, or PROGRESS emblazoned underneath were designed by artist Shepard Fairey, perhaps best known for his OBEY posters featuring Andre the Giant. In the Obama posters, one can’t help but think of Andy Warhol.

Warhol’s work not only blurred the lines between commercial and fine art, but the boundaries between creativity and popular culture. His political portraits, from Kennedy to Nixon to Mao, changed the august portraiture of political leaders. In the 1970s, political hopefuls sought him out for commissioned portraits, to position themselves as contemporary, progressive, and famous.

Sharon Matt Atkins is the curator of the new exhibit Andy Warhol: Pop Politics, now showing at the Currier Gallery of Art in Manchester. She joins Word of Mouth in the studio to discuss Warhol's political portraits.

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The Jewish Identity of Marc Chagall

By Liz Bulkley on Monday, September 17, 2007.

Marc Chagall is one of the 20th century's most intriguing painters. He was born a Russian Jew and his career spanned and was affected by two world wars, the Russian Revolution, the Holocaust and the birth of the state of Israel. We're going to talk with author Jonathan Wilson about Chagall's complicated life and how his ambivalence about his Jewish roots impacted his art. Wilson's new book is called Marc Chagall, and it's part of the Jewish Encounters series.

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The Writer's Brush

By Xenia Piaseckyj on Friday, September 14, 2007.

There's a clear distinction between creativity and talent that any writer or painter can expound on. People who write well, and paint well, are a relatively rare breed. We're going to talk with Donald Friedman, the author of The Writer's Brush about some of the remarkable people who were, or are primarily writers but who developed bodies of work as painters as well. They include Winston Churchill, Joseph Conrad, E.E. Cummings, Kurt Vonnegut and hundreds of others.

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Portrait of George Washington Gets A Facelift

By Lisa Peakes on Wednesday, August 22, 2007.

Morning Edition's Lisa Peakes talks with Wesley Balla, The NH Historical Society’s Director of Collections and Exhibitions, about the refurbished portrait of George Washington on glass.

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Big Find at the Portsmouth Music Hall

By Xenia Piaseckyj on Thursday, February 1, 2007.

Old paint isn't always the subject of bad news and controversy.

Sometimes it can bring surprises.

Just yesterday, architectural conservators working at restoring the ceiling of the Portsmouth Music Hall made a startling discovery.

There's something underneath that whitewash.

Bryon Roesselet made the discovery.

He's with Evergreen Painting Studio in New York.

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Jackson Pollock

By Laura Knoy on Monday, August 14, 2006.

He turned the world of painting upside down by pouring, spreading and even throwing paint onto the canvas. Now, fifty years after his death, Pollock is stirring things up again, with the discovery of what could be a lost set of experimental works. Laura's guests are Claude Cernuschi, Associate Professor and Assistant Chair of Art History at Boston College, and Eleanor Hight, Associate Professor of Art History at the University of New Hampshire.

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The Stacks and Attics of Our Institutions

By Shay Zeller on Monday, June 5, 2006.

Museums around the world put their best pieces on display, but that's only a fraction of what they own. We're going to snoop the stacks and attics of some of our state's most treasured institutions to see what's going on behind the public art scene. And we'll get the skinny on the Currier’s latest acquisition. It’s a still life by William Harnett that was part of a contemporary art exhibit at Boston's MFA -- in 1883. Our guests include Susan Stricker, Director of the Currier Museum of Art; Tom Hardiman, Keeper at the Portsmouth Athenaeum; and Brian Kennedy, Director of Dartmouth's Hood Museum of Art .


A Royal Dessert, 1881, by William Michael Harnett

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Rhythmic Painting and The Flying Karamazovs

By Shay Zeller on Wednesday, November 16, 2005.

Listening to music can often be a visual thing. Whether you’re guided by the lyrics, or a memory, or just the mood of the piece, music forms images in our mind’s eye. An exhibition going on now at Plymouth State University looks at a set of artist who’ve put those images down on canvas. The show is called “Rhythmic Brushwork: The Agents of Site and Sound", and it looks specifically at the influence of Afro-Caribbean art on 5 black artists from several different countries. We talk with one of those artists and the show's curator. Click here for more details on the exhibit

Later in the program we'll check in with one of the Flying Karamazov Brothers. The famous juggling act is in the state this week for a couple of performances.

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Painting by Numbers -- Russ Thibeault

By Liz Bulkley on Thursday, September 22, 2005.

Economist Russ Thibeault makes a living analyzing economic trends but has spent most of his free time this past year studying and painting the environment around tiny Perley Pond in Laconia. The state's 400-year-old oak tree lives there, along with countless other bits of wildlife. His show of watercolors and digital photographs documents the place, and opens at the Belknap Mill in Laconia on Friday September 23.

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James Aponovich

By John Walters on Monday, April 4, 2005.

James Aponovich is one of New Hampshire's greatest living artists. He's gained an international reputation for his still lifes which feature dramatic, vibrantly colored flowers from his own garden in Hancock. His work is the subject of two major exhibitions in Manchester. At the Currier Museum, and the New Hampshire Institute of Art.

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