Kevin Whitehead
Kevin Whitehead is the jazz critic for NPR's Fresh Air with Terry Gross. Currently he reviews for The Audio Beat and Point of Departure.
Whitehead's articles on jazz and improvised music have appeared in such publications as Point of Departure, the Chicago Sun-Times, Village Voice, Down Beat, and the Dutch daily de Volkskrant.
He is the author of Play the Way You Feel: The Essential Guide to Jazz Stories on Film (2020), Why Jazz: A Concise Guide (2010), New Dutch Swing (1998), and (with photographer Ton Mijs) Instant Composers Pool Orchestra: You Have to See It (2011).
His essays have appeared in numerous anthologies including Da Capo Best Music Writing 2006, Discover Jazz and Traveling the Spaceways: Sun Ra, the Astro-Black and Other Solar Myths.
Whitehead has taught at Towson University, the University of Kansas and Goucher College. He lives near Baltimore.
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Born in 1924 in Newark, N.J., Vaughan came up in the '40s, alongside bebop, a new jazz style she instantly took to. In the following decades, she proved to be one of the best singers of any genre.
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Bley, who died Oct. 17, led her own large and small touring bands from the 1970s until a few years ago — but jazz musicians had been playing her enigmatic compositions long before that.
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Sanchez's latest album, Night Creatures, features music for nine instruments that variously contrast, blend or clash — channeling the open-air feeling of the pitch-dark woods at night.
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Composer Darcy James Argue runs a jazz big band — but imagines its sound as if big bands had stayed current rather than faded away. The music's clarity, contrasts and rhythms are all impressive.
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The tenor saxophonist, who died in 2012, would have been 100 on Oct. 3. Freeman's weekly jam session at the New Apartment Lounge on Chicago's South Side became an international pilgrimage site.
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The composer and multi-instrumentalist from El Reno, Okla., played blues, bebop, big-band music and free jazz — and sometimes a mix of everything. Rivers also gave other musicians a place to play.
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Clark recorded nine sessions with the prestigious Blue Note label between 1957 and '61. A new set featuring his work as band leader for the label showcases his crisp, tuneful creativity.
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In 1965, Lewis' trio had a crossover hit with The 'In' Crowd, a jazz recording they made in a Washington, D.C. nightclub, which reached the pop charts. Lewis died Sept. 12.
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Barnes and Osborne would both be 100 on July 17. Barnes grew up in Chicago and went on to play on Bob Dylan's first single. Osborne turned up on records by Mel Tormé , Wynonie Harris and others.
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Vaughan combined an operatic sense of drama and vocal control with an improviser's risk-taking. A newly released 1969 concert recording is an ambitious showcase of her pop and classical sensibilities.